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in Weimar in 1715 for the fourth Sunday of Advent and led the first performance on 22 December 1715.
Bach had taken up regular cantata composition a year before when he was promoted to concertmaster at the Weimar court, writing one cantata per month to be performed in the was his first cantata for the fourth Sunday in Advent.
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The prescribed readings for the Sunday were from the Epistle to the Philippians, "Rejoice in the Lord alway" (Philippians 4:4–7), and from the Gospel of John, the testimony of John the Baptist (John –28). For practical purposes the same verse, closing Ihr, die ihr euch von Christo nennet, BWV 164, in 1725, may be used.
As in several other cantatas on words by Franck, it is scored for a small ensemble of four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)),and a Baroque instrumental ensemble of oboe (Ob), two violins (Vl), viola (Va), cello (Vc) and basso continuo (Bc) including bassoon. The title of the autograph score reads: "Dominicâ 4 Adventus Xsti Concerto. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe, and the abbreviations for voices and instruments the list of Bach cantatas.
Should you be more of a purist the VSC-3 has a passive bypass giving you the vintage tone the RH-4 was designed to deliver.The libretto by the court poet Salomo Franck is related to the day's prescribed gospel reading, the testimony of John the Baptist.Franck derives from it thoughts about baptism as a preparation of the individual Christian who is addressed as a limb of Christ.Or would you rather say you’re ripping it up on a Blade?Kyle Smitchens is the Guitar-Muse Managing Editor, super hero extraordinaire, and all around great guy.